DYNACORD CMS 600-3 Owner's Manual download pdf (Page 23)

CMS

This dialog is used to change the user preset‘s descrip-

tion. Turn the MENU/ENTER rotary encoder to the left or

right to edit the highlighted character. Pressing the

MENU/ENTER rotary encoder accepts the desired symbol

and moves the cursor to the next character. Move the cur-

sor to the left or to the right by pressing the

 or  func-

tion keys. Select the

 symbol or press the OK function

key to quit editing the name. Pressing the BACK function

key returns to the menu.

AUX M

ODE

This dialog allows matching the routing of the AUX

channel to your application. When opening the AUX Mode

dialog the currently activated routing is highlighted.

Turn the MENU/ENTER rotary encoder to select on of the

routing setting described below. Press the MENU/ENTER

rotary encoder to apply the selected setting. Pressing the

BACK function key returns to the menu. Pressing the ESC

function key discards all changes and returns to effect

mode.

Pre fader (PRE)

The audio signal that is present at the AUX control is

tapped pre volume fader and therefore not affected by

the fader’s setting. This mode is mainly used for monitor-

ing. Pre-Fader Monitoring is especially preferable when

monitoring and master mix need to be completely differ-

ent from each other, e.g. when the volume setting of par-

ticular musical instruments or vocals needs to be higher

or lower than in the master mix. In most cases the mixing

console is placed somewhere in the audience area (FOH)

and is being operated by an sound technician.

Post fader (POST)

The audio signal that is present at the AUX control is

tapped post volume fader and therefore affected by the

fader’s setting. This mode is mainly used for establishing

FX- or special monitoring mixes. Using the POST-Fader

method is recommended when the mixer is also located

on the stage and you have to operate it yourself. Setting

all AUX controls to their center position, the master mix

is also present on the monitor bus, giving you the oppor-

tunity to control the volume settings of each channel in-

dividually from the stage. The overall volume of the

monitor mix is set using the AUX fader in the master sec-

tion. If you are using this option you should keep in mind

that all volume changes made with the channel faders

also apply to the monitor mix, leaving you with a higher

risk of acoustic feedback. The Post-Fader Monitoring

method provides the possibility of canceling channels of

some instruments – like kick or snare drum, which are in

fact already very loud on-stage – from the monitor mix by

turning the corresponding controls all the way to the left.

AUX to FX 2

In this mode the AUX channel is used as FX 2 channel, so

the AUX controls allow adjusting individual amounts of

the input signals to be routed to the integrated FX 2

effects units. At the same time the FX controls allow

adjusting individual amounts of the input signals to be

routed to the integrated FX 1 effects units (see page 12

for details).

FX C

ONTROL SETUP

This dialog is used to configure the effect units FX 1 or

FX 2. Some parameters of the effect units can be con-

troled via the MIDI interface, additionally this dialog is

used to select the default effect which is activated when

the CMS is switched on.

Illustration 3-9: AUX Mode dialog (pre mode)

Illustration 3-10: AUX Mode dialog (post mode)

POST

AUX Mode

to FX2

PRE

FX1

FX2

AUX

PRE

AUX

AUX Mode

to FX2

PRE

FX1

FX2

AUX

POST

AUX

POST

Illustration 3-11: AUX Mode dialog (AUX to FX 2 mode)

Illustration 3-12: FX Control Setup dialog

POST

AUX Mode

PRE

FX1

FX2

POST

AUX

to FX2

FX Control Setup

FX1 Start Preset 5

FX2 Start Preset 55

TAP-Button Ctrl. FX 1+2

BACK ESC

Footswitch Ctrl. FX 1+2

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DYNACORD CMS 600-3 Owner's Manual Page 23

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